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strana, autor textu, název, podnázev
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| 3-, Anton Belov, Preface, |
| 7-15, Kate Fowle, Viktor Alexandrovič Miziano (Misiano), The making of Moscow Art Magazine, |
| 19-, Viktor Alexandrovič Miziano (Misiano), It is the End? It is only the Beginning: A Time for Manifestos, |
| 20-23, Anatolij Osmolovskij, A Generation kills a Generation, |
| 24-27, Alexander Davidovič Brener, False Children, |
| 28-31, Oleg Borisovich Kulik, Ludmila Bredikhina, The Political Animal adresses you, |
| 32-36, Vladislav Mamyshev-Monroe, Insinuationism, |
| 38-47, Pavel Vitalijevič Pepperstein, Noma-Noma, |
| 49-55, Ekaterina Degot, The New Adventures of the Elusive, the Inexpressible, and the Unnecessary, |
| 59-, Viktor Alexandrovič Miziano (Misiano), The Phenomenology of the Body, |
| 61-63, Alexander Davidovič Brener, The End of Optics, |
| 64-71, Dmitrij Aleksandrovič Prigov, We are so close, no words are needed, |
| 73-81, Pavel Vitalijevič Pepperstein, Sergey Anufriev, Samodelkin´s Way, |
| 82-85, Ekaterina Degot, The mysterious Russian body, |
| 87-89, Valery Savchuk, The ideology of Post-Information sincerity, |
| 93-95, Viktor Alexandrovič Miziano (Misiano), The new system of art and the new autonomy, |
| 96-101, David Riff, Face control, or losing face at the Moscow Biennale, |
| 103-109, Igor M. Chubarov, Politically strategic forms, or the mimesis of the political. On the rebirth of Moscow Actionism of the 1990s, |
| 110-115, Andrey Parshikov, Fascistoid optics, |
| 117-119, Anatolij Osmolovskij, A number of theses on Non-Spectacular art, |
| 120-123, Stanislav Shuripa, Elusion, |
| 124-129, Lioudmila Voropai, Notes on the social history of russian contemporary art on the first decade of the twenty-first century, |
| 133-135, Viktor Alexandrovič Miziano (Misiano), The new system of art and new autonomy, |
| 136-139, Dmitrij Aleksandrovič Prigov, Spaces (of statement and survival), |
| 140-145, Oleg Aronson, Participation in the community - Non-Participation in the artwork, |
| 146-151, Helen Petrovsky, The ethics of anonymity, |
| 153-155, Maxim Karakulov, The Scholl of Contemporary Art against all. An attempt at representation, |
| 156-161, Nikita (Mykyta) Kadan, Thinking with another person´s head. On communal art production, |
| 162-167, Nikolay Oleynikov, A principally new type of art residence, |
| 168-173, Oxana Timofeeva, From the inoperative community to working groups, |
| 177-, Viktor Alexandrovič Miziano (Misiano), Progressive nostalgia, |
| 178-181, Yevgeniy Fiks, The Post-Soviet artist´s responsibility, |
| 183-195, Hrach Bayadyan, Imaginning the past, |
| 196-203, Keti Chukhrov, The de-ideologization of the "Soviet", |
| 204-207, Dmitry Vilensky, Theses on the soviet, |
| 209-215, Nikita (Mykyta) Kadan, Stand firm, |
| 216-221, Boris Chukhovich, The disintegration of the Post-Soviet and the turkmenification of the whole country, |
| 223-231, Ilya Budraitskis, The intelligentsia as a style, |
| 235-237, Viktor Alexandrovič Miziano (Misiano), The invention of politics, |
| 238-243, Dmitry Vilensky, On the composition of contemporary political art, |
| 244-247, Vladislav Sofronov-Antomoni, Afterword: The critical disposition, |
| 249-253, Alexei Penzin, In defense of crude thinking, |
| 254-259, Arsenij (Arseniy) Zhilyaev, The ethics of the future. Art in the emergency situation of the appearance of hope, |
| 260-269, Haim Sokol, A dictionary of opposition for beginners, |
| 270-276, Keti Chukhrov, Theses on the false democracy of contemporary art, |
| 278-282, Maria Chehonadskih, The mythology of the face: The public sphere, dissident society, and political art, |
| 287-288, Viktor Alexandrovič Miziano (Misiano), New dark times, |
| 294-299, Nikita (Mykyta) Kadan, Into the darkness. Three breaks, |
| 300-307, Valery Savchuk, The return of certainty, |
| 308-315, Yevgeniy Fiks, Landscapes of the Jewish Autonomous Region, |
| 316-321, Igor M. Chubarov, Letters on Anti-Aestetic upbringing. Fifth letter: Art after everything. Beauty and Violence, |
| 322-323, Dmitry Vilensky, On the possibility of light, |
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